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Communication Design

  • Department view
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Daniel Mastromihalis

Nichanon Thampramual

Congwen Zhou

Ruby Bergmeier

Anna Afzal-Gould

Toneya Hurst

Despina Batsakis

Jack Milligan

Lucas Pavlis

Blue Bateman- Williamson

Bailey Wentworth

Darren Buma

Tara Knight

Jazmyn Maddern-Wellington

Shakira Simmons

Athanasios Romios

Jared Fowler

Joo En Kok

Max Whiting

Bianca Gjuric

Lachlan Webb

Magenta Hornsey

Georgina Favaloro

Shelley Virduzzo

Chai Hoong Yong

Amelia Bursztynski

Stephanie Mahon-Smith

Christopher Chan

Shannon Bowkett

Sophie Sfikas

Cheryl Kau

Maddie Vincent Gilmartin

Rebecca Smith

Lisa Le Nguyen

Kirsten Hart

Sarah Smedley

Ella Whitehead

Olivia Hockey

Kylie Blumson

Cailum Choi

Ashley Bell

Ellen Hetrelezis

Eloise Henderson

Adam Yeo

Lauren Smith

Alessia Zuccala

Brandy Lau

Ashleigh Docking

Ashley Ng

Megan Baines

Wendy Lay

Elaine Yi Lian Yeo

Sasha Kamel

Jia Jun Hong

Grace Ting

Vivien Nguyen

Tyneesa Grant

Chris Sanchez

Cassie Horne

Immanuel Martin

Xin Zi Hoo

Leilani Krienke

Ulya Cheng

Steffie Eddy

Vanessa William

Dora Bebonis

Yasmin Li

Sarah Stansbie

Emma Facey

Kat Kopecka

Amelia Vu

Tom Faska

Kimberley Sie Hui Jun

Matthew Phillip

Georgia Back

Alanis Viera

Pranav Tamang

Luka Dickson

Jason Chung

Isa Lim

William Clark

Hui Shan Ho

Ciara Croft

Cindy Lo

Venessa Kho

Ollie Rae

Cameron Laing

Aaron Davis

Michelle Millers

Keni Patel

Shicheng Huo

Jemma Young

Jesse Greer

Tien Nguyen

Erin Frakes

Renee Sim

Rainnie Hsiao

Ashleigh Squire

Molly Cunnane

Daniel Farhan Khairul Zamri

Rebecca Mok

Chai Jeffery

Angela Yong

Connie Chin

Seren Altiparmak

Jing Wen Ng

Angelica Matarazzo

Communication Design

Swinburne’s Communication Design course has always been cutting edge, our graduates are global pioneers, and are concerned about how we design for the environment and for a changing climate.   

Building on the success of the Communication Design Major students can also undertake double degrees combining Design with Business or Media and Communication degrees. By building industry ready courses, we continue to enable our students to be the design leaders of today and tomorrow.

Completing my Bachelor of Design at Swinburne has given me a strong foundation of knowledge and valuable skills on best design practices, building my confidence to transition from study into the design industry. Studying has allowed me to discover new passions in the design field such as branding and identity, animation and typography.

Annie Pham Student Qualification: Bachelor of Design (Communication Design)

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Acknowledgements

  • Swinburne School of Design
    ©2025 | All Rights Reserved
  • Program Director: Christopher Waller
  • Website by PeptoLab

Acknowledgement of Country

The School of Design and Architecture respectfully acknowledges the Wurundjeri peoples of the Kulin Nation as the Traditional Owners and knowledge-keepers of the lands, waters and sky that surround us, where we work, learn, create, communicate and make place. We recognise that sovereignty has never been ceded and this always was and will always be Wurundjeri Country. We pay our respects to Elders past, present and to all Aboriginal and Torres Strait Islander people who continue to make a better world through design.

We extend our acknowledgement to the Aboriginal and Torres Strait Islander staff, students, alumni, real-life clients, and knowledge keepers, who have contributed to our own education diversity and growth. We will continue to ensure that staff and students respectfully honour ancestral connection to Country and Place in everything that they do.

We are dedicated to the notion of design to make a better world and we acknowledge that making tools, shaping place, sharing stories, making meaning, wayfinding and collaborating have long been and continue to be both central and integral to First Peoples' cultures. We recognize that Aboriginal and Torres Strait Islander Peoples’ cultural contributions have continued relevance to design practice and commit to: reconciling ancestries of design and contemporary practice as well as pursuing culturally and professionally appropriate ways to engage with a diverse population of colleagues, industries and clients. In a time of treaty-making and voice we understand that there are overlaps between caring for Country and the sustainable production of goods, services, experiences, products and buildings.

Guided by the principles of respect, reconciliation, and reciprocity we undertake to indigenising and decolonising design practice by dismantling colonial structures and challenging biases that have marginalised Indigenous voices and design.

As students of SoDA you will be given opportunities to both engage with and educate yourself in Indigenous creative practices and cultural protocols through a lens of inclusivity, diversity, respect, mutual understanding, inter-cultural dialogue in all aspects of design practice. Indigenous people have been telling stories, making tools, and connecting to Country through visual media, placemaking and place marking for more than 60,000 years and these practices are part of an ongoing, evolving and live tradition.